Age/Gender: 28, Male
Location: Memphis, Murder Capital
Job: Prophet of Hate
HATE. Because 2,000 years of "For God so loved the world" doesn't trump 1.2 million years of "survival of the fittest."
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All Audio Reviews
109 Reviews | 35 w/ Responses
"MY NICHE! YOU'RE SPREADING INTO MY NICHE!!!"
There's just something about the way you speed up the tunes, that makes them hilarious.....
The best part is that imaginary line when it stops being about pets, and starts being about vagina.
Its almost as if I'd been doing Liberate the Cheese for 10 years and mastered it.....
FUCKER!!! THAT'S MY NICHE!!!!! I'M LESS ORIGINAL AND TALENTED NOW BECAUSE YOU'RE BETTER THAN ME!!!!!
Meh, at least I play mandolin.
Author's Response:
lol... yeah this song was again influenced by a messageboard... you'll catch my gimmick soon, it was a response to some random post to a thread of mine where the guy just replied:
My Cats Sleep in the Nude! *NT so I wrote a song on the fly for him. I will link you to an animation WIP for the song that this one inspired.
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It's awesome that you learned how to play that, but you've got some serious hum issues with your mike, and heavey strumming seems to create really bad clipping. You might want to adjust your recording levels, and the distance between your guitar and mike. You should also consider buying a nice mic if you can afford it.
Production is a bitch, aint it?
Author's Response:
sweet, you reviewed my thingy
thx for the good tips, i am going to start recording from my amp, like solos and improvisations and stuff, im going to start to become a regualr audio potal user
thx for the review! :)
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Nice use of a jam holding pattern to give your guitar player a platform. Try moving your tom riffs over to your high-hat. Trust me. It'll give you a better groove, and your left foot will add a third demention. Also try "touch" rolls or "bouncing" rolls in this kind of thing. A nice soft jazz style bounce roll is a great rift for smooth groovy music. It lets you play fast, without making what you're playing heavier. Straight 8 or 4 rolls are a little too straight.
12112122<= a great off set roll pattern
Author's Response:
yeah i know rolls, thats a paradiddle! haha anyways, i am still tryin to infuse that into my drummin and you can see that more in v8. i wanted a subtle groove in this one because its mostly a giant solo and i couldnt really get a crisp sound (which i like for rolls) because i was using brushes. i like jazz drumming, its just amazing
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I noticed you apparently mic the toms instead of the bass drum..... Not a good choice. The snare and bass drum are WAY more important than mere toms, which have more in common with cymbals than with the major parts of the beat. You only use toms on riffs, really. It's the bass and snare that hold down the up and down beats.
Also, there's too much high end (in the EQ) on the guitar. If you don't have enough low end, the guitar loses all of it's balls. It's pretty cool that you used an acoustic with the electric, though. That's always a nice synergy.
I use a Shure Beta 52 in my bass drum 8P. Also, try "stereo-ing out" your instruments (ie, pan the lead guitar left, the backup guitar right, and fan the drum mics left to right). It helps the individual instruments stand out more, and helps reduce apparent phase cancellations.
Author's Response:
yeah i see what your sayin, but the last time we miced the bass drum, it overtook the whole song. anyways were still getting the bugs out and the soloist likes the high notes. Btw we only used a bass, an acoustic guitar and a 12 string acoustic guitar which songs electric
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Your signal's clipping like a bitch. You're also a bit out of tune. The actual playing is the best thing on the track, which is something to be proud of.
1 Get a better mic (a Shure SM57 is a good choice)
2 Buy and electric tuner. You won't regret it
3 Ignore 1 and 2. I'm a big fat audiophile who spends WAY too much money on equipment.
Author's Response:
thanks...im poor so i wont be getting any of those things you mention but cool thanks alot for reviewing...
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Put a pillow in your bass drum. It'll take a lot of that rattle out of it. Other than that, good sound quality.
The drum solo falls apart a little, but then, most drum solos do.
As for the guitars and bass, it's a nice simple chord progression, with a very rhythmic guitar part. I'd like the bass to work harder, but hey, in classic style rock the bass doesn't work very hard.
This is ok for a band, and GREAT for an Audio Portal submission. CONGRATULATIONS!
Author's Response:
yeah the bass is echoey but its the guitarist's set(all the shit is at his house includin our ghetto studio w/ an 80 mixer and 2 drum mics) but yeah i gotta fix that. and the bass is still simplistic cuz our bass player is gettin used to switchin from guitar to bass and its hard to write bass. thanks for the review though!
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I noticed a significant quality increase in this one compared to your other submissions. Did you take any of my miking advice, or did you find a better technique on your own? I *may* submit some of my new MABA stuff tonight, if you wanna compare notes.
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"Heh, better than the two more recent ones!"
OMG! TEH ARPEGGIOS!!! This one has the worst audio quality, but the best playing so far. I always like everything faster, with more strings being played. After all, minimalism is for bitches, right?
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Damn, I was expecting a drone with something scottish. More fuzz in this one though. Blah blah source volume blah blah signal to noise ration blah blah rf rejection, balanced line cable, m3h A-p3n0r R 13373|2>J00.
omg! c0mpr3ss0r+g4t3+EQ=PWN!!!
(contact me if you didn't understand any of that, but keep in mind that everything I'm talking about costs money. Audiophilia is a damn expensive hobby)
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Sounds like you're using a crappy mic, though. Sorry, I'm a Shure mic freak. It's pretty cool when you try to emulate the quarter tones (that's in pitch, not in time). That's the crazy thing about eastern music. Nice choice of styles, by the way.
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